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April 2008 - Nostalgia

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April 2008 Nostalgia Articles:

Possessed by her possessions, she’s become her family’s museum

Hideous heirlooms?
Antique salt shaker with salt still in it 


By Maralyn Lois Polak

I want to sell my house, so I’m downsizing.

I pay a guy a few bucks to carry heavy boxes from the basement. I am not even sure what these boxes contain. They have never been opened or unpacked. All I remember is they contain my mother’s most cherished possessions. I have been carting them from place to place ever since she died in 1989.

My mother’s treasures are those almost ordinary necessities an ambitious housewife, first-generation immigrant stock, would prize and aspire to pass on to her daughter in Philadelphia — crystal, silver, porcelain, lace, linen, cut glass — symbols of what she envisioned as the finer life from her small corner of the 20th century.

I’m sure she endlessly “scrimped and saved” for them out of my government-worker father’s modest salary.

While polishing some of my mother’s silver, I notice a sterling salt-shaker still filled with salt… her salt. In there all this time.

By now, it could be a collectible. Nevertheless, I pour it down the kitchen sink. And it actually pours. Must be iodized.

Surreal.

An uneasy legacy
I am my family’s museum — repository of all their lost dreams and desires. It’s an uneasy legacy. Yes, I am uncomfortable in this role, but here I am. They are all gone — my mother, my father, my brother. Their possessions have outlived them. Obtrusive. Redundant. Annoying. Except for my mom’s wristwatch, which I wear each day to keep her near me, second after second.

Sometimes, I feel possessed by my possessions. I yearn to start anew, free from my relentless collections of things.

Not surprisingly, no one else really seems to want these things, either. Not friends. Not the snooty Main Line consignment shop with more rules for doing business than Homeland Security’s airport travel regulations. Not even the fancy silver resale boutique downtown.

Heirloom or ‘hideosity?’

How, I wonder, could I possibly squeeze all my possessions into the equivalent of just one room?
What would become of my brother’s ceramic Wizard of Oz lamp, a replica of the Emerald City?
What about my father’s slingshot?
My mother’s lace party-dresses?

Too often, one person’s heirloom is definitely another’s hideosity — perhaps propelling an ultimately inevitable trip to the thrift-shop. I can see myself finally deciding in exasperation, Oh, just dump everything and get on with your life!

Suddenly I understand why, unlike me, people have children: You can leave them all your crap.

Except even that’s no assurance your treasures will live on through family or friends. “I’m sure my kids will throw away my stuff they’ll inherit,” says my friend. “Which is why I’m asking people, in advance, what they want of mine. Say, would you like my airline miles?”

Absolutely.

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A poem that addressed the 'nobler nature' of a little boy (and a rebel general)

Required reading in school yielded
at least one favorite

By Don Harrison

Songwriter Bobbie Shaffner called in December to alert us to the 200th anniversary of the birth of American poet John Greenleaf Whittier.

I’m not sure why that was necessarily a subject for Milestones, but I think I surprised her when I revealed that not only had I heard of Whittier’s “Barbara Frietchie,” I could quote from it.

If you were required to read it in grade school, as I was, you’ll remember that it’s about an old lady who defies triumphant Confederate troops in Frederick, Md. “Bowed with her fourscore years and ten,” Barbara Frietchie challenges the invaders’ ban on the Stars and Stripes. When Gen. Stonewall Jackson orders her flag shot down, she “snatche[s] the silken scarf,” and these immortal lines follow:

Shoot, if you must, this old gray head,

But spare your country’s flag,’ she said.

This stirs “the nobler nature within” old Stonewall:

’Who touches a hair on yon gray head
Dies like a dog! March on!’ he said.
And so they did:
All day long that free flag tost
Over the heads of the rebel host.
“Host?” “Tost?” Poetic license, I guess.

An Ogden Nash parody

Bobbie Shaffner mailed me a copy. Perhaps, she felt I wasn’t taking her seriously enough, because I also quoted for her an Ogden Nash two-liner:

I’m greatly attached to Barbara Fritchy;

I bet she scratched when she was itchy.

The real reason this seldom-remembered work, by (let’s face it) a minor poet, resonates with Bobbie Shaffner may be that Henry, her husband and songwriting partner, is a proud descendant of the Confederate general, and the poem emphasizes the noble heart under that stone wall:

Honor to her! And let a tear

Fall, for her sake, on Stonewall’s bier

The reason I remember so many lines was that I really liked the poem. It was much better than other stuff the teachers made us read (like the blessedly forgotten “October’s Bright Blue Weather,” by someone named Helen Hunt Jackson). Even great literature can be ruined by force-feeding it to kids, but what red-blooded American boy wouldn’t be impressed by a flag-waving old lady stirring the “nobler nature” of a soldier with a nickname like Stonewall?

Thanks, Bobbie, for reminding me of the poem.

Forcing kids to learn literature can turn people against good stuff, as it did when we had to learn Wordsworth’s “Daffodils” and Shelley’s “Ode to the West Wind.” The novels we were required to read might have been good (George Eliot’s Silas Marner really was), but the schools ruined them for us.

Force-feeding literature

Kids don’t read anymore, surveys conclude. I wish I knew how to turn that around (they might start reading newspapers, too), but I’m not sure required-school reading lists are the answer.

Maybe it was the subject matter, maybe it was an inspiring teacher, but one former little boy has never forgotten those immortal words:

Barbara Frietchie’s work is o’er

And the Rebel rides on his raids no more…
And ever the stars above look down
On the stars below in Frederick town.

Damn! They don’t write poems like that any more, do they?

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Calendar
09.07.08 : Gregor Mendel: Planting the Seeds of Genetics
09.07.08 : Calder Jewelry
09.07.08 : Rodgers & Hammerstein's 'State Fair'
09.07.08 : Real Pirates: The Untold Story of the Whydah from Slave Ship to Pirate Ship
09.07.08 : Reverberations: Modern & Contemporary Art from the Bank of America Collection
09.07.08 : PECO Multicultural Series: Russian Mosaic Festival
09.08.08 : Gregor Mendel: Planting the Seeds of Genetics
09.08.08 : Calder Jewelry
09.08.08 : Enhance Fitness Program
09.08.08 : Real Pirates: The Untold Story of the Whydah from Slave Ship to Pirate Ship
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